Renovation and repair are constant.
7 marble bridges lead across the Golden Water River to Tiananmen Gate.
A carved huabiao pillar outside Tiananmen Gate symbolizes dialogue between emperors and subjects. The design reminded me of Mayan art.
The court of the Imperial Palace in the Forbidden City, which was the center of the Chinese empire for almost 5 centuries.
The complex is said to have 9,999 1/2 rooms because only heaven has 10,000. In fact, the Forbidden City has 8,706 rooms.
Between 1406 and 1420, some 200,000 people worked to build the palace, which was occupied by the Ming rulers in 1421.
I was never overcome by the physical presence of people in China but I was very often overcome by the IDEA of 1.3 billion people. As Irene says, China has the 1.3 billion and we in the U.S. have the .3 side.
A counter-feeling to the idea of big population and big big buildings for everyone to live in is: at any moment, it is possible to stop and attend to the beauty, in human creation such as this, in nature. And you can take as long as you want; no need to hurry (as long as you can take the sun -- "very warm," as Jolanta put it).
The emperor could not leave the palace grounds without an official escort. The empress and concubines led even more sheltered lives and were not to be seen by any males outside the family circle.
When the emperor moved from one building to another, it was a major expedition involving many people -- including 9,000 maidservants in the Ming dynasty, and eunuchs -- and much organization.
The gridlike and geometric pattern of the palace complex reflects the strongly hierarchical structure of imperial Chinese society. Its fixed and ordered harmony aimed at expressing cosmic order.
The buildings are aligned on north-south lines, the most important facing south and the sun. / And look at this gorgeous deep coral, presented by greens.
The emperor held official audiences from this imperial chair.